We turn fascinating stories into limited EDITION of books, OBJECTS and decorations that embody our aesthetics and look good on a shelf.
2018
The Medium is a Mess, Jason Fulford In the autumn of 2017, Studio Blanco invited photographer Jason Fulford to Reggio Emilia, Italy, to take pictures of the ateliers of Reggio Children. He spent a week in the city with the aim of documenting and celebrating the creative process globally known as the Reggio Emilia Approach. This book features photographs by Fulford in the ateliers and streets of the city, as well as pictures previously taken in Japan, Korea, and the United States.
2017
Fabscarte, Mostro Nostro 1The wallpaper Mostro Nostro 1 is the first of an artwork series by Studio Blanco. Part of a bigger research on which our studio has been working for almost five years. Mostro Nostro was born with the desire to distort Italian tradition through a manual scanning and deformation process, adding layer after layer of digital elements and repetitions.
2016
Doppia Firma, PinfoldFor the 2016 Salone del Mobile Studio Blanco has been invited to join “Doppia Firma", a project by Fondazione Cologni dei Mestieri d’Arte, Living and Yoox.com.
2012
The Future is UnwrittenA limited edition of Tarot cards, The Future is Unwritten is a psychological joke toying with our anxieties about the future. This project is an invitation to accept the unknown.
2010
Everyday, A Nonexistent ExhibitionThe second chapter of the editorial series A Nonexistent Exhibition, Everyday presents the daily life of 22 international artists through visual contributions, some of which are previously unpublished.
2013
To Belong, Anders PetersenFollowing the earthquake that struck Emilia Romagna, Italy, in May 2012, Studio Blanco conceived a project that could both witness the difficult times that the region was going through and celebrate the reaction of its people
2009
Recession/Recessione, A Nonexistent ExhibitionA Nonexistent Exhibition is an editorial series launched by Studio Blanco in 2009 with the aim of creating catalogues for art exhibitions that never happened.